In this blog, we will discuss Raga Sankarabharanam, one of the most foundational and majestic ragas and the most revered and versatile in Carnatic music. Known as the 29th Melakarta raga, it holds a central place in both classical compositions and teaching traditions.

Mohanam is very popular and is widely used in Carnatic concerts, devotional songs and even in film songs where the complete essence of this raga is well executed. Learn more about it in this blog!

Progress in Carnatic music isn’t always loud or obvious. Sometimes, it’s hidden in the way you hold a note a little longer. Or how you don't panic when a tala changes. This quiz will help you pause, reflect, and see just how far you’ve come.

A lot of students ask: “Why do we always start with Mayamalavagoula? Why not other beautiful ragas like Kalyani or Sankarabharanam?” There’s a very solid reason, and it’s all hidden inside the structure of Mayamalavagoula itself. Let’s break it down.